In every book marketing article I've ever read, they discuss social media platforms. The number one suggestion is to avoid getting overwhelmed by trying to run your book marketing on ALL the platforms. Pick two or three that come most naturally to you and use those. For me, Facebook is number one. I like words, and Facebook lets me use lots of words. Pinterest is second. I technically have a Twitter and Instagram, but if you want to hear from me those aren't the platforms to follow me on.
Facebook and Pinterest are relatively easy for me to use, I enjoy using them as part of my every day life, and there wasn't a big learning curve for me. I'm still getting used to some of the features for advertising, something you can utilize on both Facebook and Pinterest platforms. In this blog post I'm focusing on using Pinterest to generate ideas, to outline and plot your story, to develop characters, and even to edit and publish books.
Having a Pinterest Board or Section for different stories, characters, and/or topics related to writing helps keep me organized and gives me the perfect place to browse when I'm in need of inspiration specific to my story. It also gives me great images to use (with credit given where known, of course) for promotion, marketing, or just random tid-bits for my biggest fans. It's fun for fans to see what images or bits of lore inspire the stories they love, so definitely take the time to pin things that help you write your novel. You may end up needing it some day!
A Crash-Course on using Pinterest
I'm from the generation of computer-users who learned on a big, clunky box that didn't even have the internet. The very first story I ever wrote was painstakingly typed out in an ancient version of Word and saved to a floppy disk, as there were no such things as USBs or "the cloud". So I get it if social media doesn't come naturally to you as breathing, like it seems to be for the generations that are cutting teeth on Ipads and Smartphones. For those who consider themselves tech-challenged or just like having things explained to them in language a five-year-old could understand, these step-by--steps to using Pinterest are for you:
There is also a search function at the top of the page. Use keywords for topics or images that come to your mind when you think of your story and see what comes up. Pin what you like, scroll past what you don't.
Last weekend I had the opportunity to attend the LDStorymakers Conference held in Provo, Utah. I would definitely label it as the best writers’ conference I’ve been to thus far, and I was not disappointed by my third year attending in the least. They do feed their attendees, which I love, but more than that, I appreciate how their classes are always so well prepared and relevant to my needs as a writer.
While I was at Storymakers, I took a class from Amanda Rawnson Hill (author of “The Three Rules of Everyday Magic”), who taught us her secret weapon for going from 28 drafts of a manuscript before publishing, to only 4. This secret weapon is starting with a theme in mind and threading that theme through your story. If this is done from the very first draft, it is so much easier to bring the story together in each subsequent revision.
There is not a single person who does something without wanting something in return. No person gives information freely, no lover gives a kiss without expectations.
This idea explains hope- fostering a desire and being brave enough to wish that what you're giving will someday earn you that desire- just as much as it explains selfishness.
What your character says reflects the thing they want most, and how they say it has a direct correlation with whether they get it. Because of this, you can't have powerful dialogue without a deep understanding of your character's driving motivations.
Have you ever wondered what exactly defines the audience of a story? I had never thought about it much before, and it didn’t really matter to me where a book fit, or where my stories fit, so long as people want to read them. But after attending J. Scott Savage’s “YA vs Middle Grade” class, which was my favorite at Life, the Universe, and Everything (LTUE) this year, I decided that it IS important to know these things, especially while your’e working on a story of your own. There are a lot of publishers who will take a manuscript that needs tweaking in order to fit the audience they’re looking for, but so much time and effort can be saved for both publisher and author by knowing what you’re writing in order to have your story easily categorized right from the beginning.
How can you identify who the intended audience is? You may be thinking that it has something to do with the content of the book — perhaps with violent content, the age of the main characters, the depth of the romance, or the reading level of the vocabulary in the writing. But violence can be glossed over, as well as romance, ages can be changed or omitted, and the words an author uses can be made more complicated or simplistic through editing. These things are definitely considered by publishers, but they are things that aren’t essential to the story; these are things that are more easily changed before publication, and aren’t what really defines intended audience.
The Life, the Universe and Everything Writing Science Fiction and Fantasy Conference is a local (to Utah) conference I always clear my calendar for. Not only is it my birthday present every year (February, anyone else?), but it’s an incredibly good value. Registration is only $50 for all three days (only $15 for students!), and you can always expect to have a wide range of artists present. From newbies and fans to published professionals, LTUE has something for everyone who loves the fantastic. Artists, Writers and Authors, Publishers, Editors and Agents, Graphic Designers and even Screen Writers. I’ve been attending LTUE for seven years. This year was my first year there since I published my fantasy novel Woven, and I got to attend the multi-author book signing next to big-wigs like Brandon Mull and Charlie Holmberg. Even Brandon Sanderson was there! It was a totally surreal experience, and I look forward to hopefully presenting on a panel in 2019.
My favorite class this year was the first on I attended on the second day. Maxwell Alexander Drake is an award-winning Science Fiction/Fantasy author and Graphic Novelist. He’s a blunt and unabashed presenter, whose main goal, besides delivering mind-blowing information about how to craft an incredible novel, is to offend at least half the people present. Apparently, writers are a pretty sensitive lot when it comes to the “right way” to write a book. He made it clear: his way is the right way, but it’s only one way. If you want to do it another way, disregard everything he says. But his way is the best way, of course. He managed to boil a three hour presentation into a fantastic 45 minute one. What follows are a few gems from his class, and if you want more, go buy his book (or read it on Kindle Unlimited!) “Dynamic Story Creation.”
The first thing he said that caught my attention is that we should always be asking, “What does this do for my story?” Sometimes, that means “killing our darlings” (Not babies. Never babies). If a scene or character doesn’t DO anything, it’s irrelevant and should be eliminated for the good of your story.
For some of us, writing is a breeze. Our plots practically create themselves, and our characters come to us with clear motivations all on their own. Then after that, the story flows effortlessly onto the page. Frankly, I’m not in that category of writers, and I think it’s safe to say that most of us aren’t. Writing is a hobby, a job, or a passion for each of us, and at some point it’s going to be a struggle.
There are so many ways to get stuck while writing. What can you do if it happens to you? It can be so hard to push through these points, when our ideas stagnate and we can start to feel a loss of our original infatuation with the project. Too often we try to solve our story problems by staring them in the face, hoping if we push against the wall long enough it will eventually turn into a door. But sometimes, it’s better to try a more roundabout approach, looking for solutions in places that aren’t so direct. One of the places we can find those solutions is in our characters. The stronger our characters are, the more they can help us get unstuck in our writing and move forward.
It might not make sense at first to think that having stronger characters can mend a myriad of issues, but let’s look into it a bit: If your character is too flat, they won’t do much for your story, and they might end up being the reason you get stuck a lot of the time. On the other hand, the more you learn and know about your character, they can push many parts of the story forward and give you a solid plot, as well as illuminate information you may not have known you were missing, like setting details or realistic interactions.
So, now that we’re thinking about how knowing our characters better can improve even things that don’t seem to have anything to do with them, how can we get to know them well enough for them to help us out? You can always start by taking personality tests for them on Facebook, but those will only get you so far. You have to dig deeper!
We're all writers, we're all moms, writing our way through the "brambles" of life and our stories.