The time comes with every manuscript when you need to share it with someone else before publishing it. That someone could be your spouse, best friend, writing group, beta reader, a pitch with an editor or agent, or a first chapter contest judge. There will be times when one of these critique partners makes a suggestion that doesn't sit well with you. You'll be left with a bucket of insecurity, wondering whether to make changes based on the suggestions or to keep the manuscript as-is. It can be especially crippling when the person commenting is close to you, like a family member, or someone you perceive as having authority in the writing profession, like an editor or already-published author.
Receiving critiques is difficult. No one enjoys hearing they have more work to do, especially after doing something that took a lot of work. But we all have something to learn and improve on, whether it's our first manuscript or our fifteenth, whether we are published or not.
We don't improve when we ignore everything our critique partners tell us. They can be incredibly valuable, teaching us more than we could ever learn otherwise. Even unhelpful comments can teach us things like who isn't our niche reader, or if a part of the story is not quite right (even if their wrong about why). Get multiple critique partners (or, better yet, a writing group), and take their comments with a fat grain of salt.
This article will discuss what makes a critique “wrong” or unhelpful, what to do when you realize a critique isn't right for you, how to respond to a critique partner who frequently gives unhelpful feedback, and how know when to follow a critique.
Laundry is pretty much the bane of every mother's existence. Doesn't seem to matter how many kids you have, clothes multiply like rabbits and pretty soon you're buried. The trick for laundry, I've found, is two-fold: minimize how many clothes you and your kids have (so you can't go much longer than a week without washing), and have a process or routine for getting it done.
You didn't come here for laundry tips, though. You came for writing tips! Lucky for you, laundry and writing have something in common: both are more efficient and a lot less painful when you get more organized! And one way to get more organized with your writing is to try plotting.
I used to be a hardcore pantser. A pantser is a writer that follows the whimsy of their muse to finish a story. Instead of planning everything out, they barrel (or wander) ahead, writing “by the seat of their pants.” Hence the term, “pantser.”
Pantsing was fun. I thought it was the best way to write, waiting for the muse to strike and writing in a fit of passion and emotion. I only wrote when conditions were perfect. When I scheduled writing time for myself, I often found my muse elusive and blamed the infamous condition known as writer's block for my lack of words.
Later, when I revised, I couldn't really tell the difference between times when I'd written full of passion and times when I had forced the words. Progress was slow. My plot meandered. My characters seemed unmotivated and disjointed. I became convinced there had to be a more efficient way to write without sacrificing quality or enjoyment, but I wasn't sure where to look.
Enter plotting. Plotters create an outline before they start writing. This often includes character arcs, the plot, world building, setting, etc. They name characters and do as much research as possible before diving in.
My realization of the magic of plotting was gradual. I heard about plotting at writing conferences I attended, but thought it would suck the joy from writing, so I avoided it as much as I could. Until I decided to use NaNoWriMo to write the sequel to Woven and realized I needed to try something different to succeed in writing 50,000+ words in a month.
As a homeschooling mom with five kids under seven and two businesses, my writing time is limited. I fight for most of the time I get. Those minutes are precious. I can't afford to spend them writing a sentence, thinking what I want to have happen next, and writing the next sentence, or being subject to my unreliable muse from day to day. I love it when a passage flies out of my fingers, but writing nirvana is rare. I needed to try something different: I needed a plan.
You see, Woven took me 3.5 years to write, edit, and publish. I had no outline until close to the end when things got really confusing and I had a deadline to finish by. I had an outline for maybe a third of the book. The book prior to that took me seven years, and I never had an outline.
I started the sequel to Woven during NaNoWriMo 2017. The two months prior I outlined the entire book. The first draft of Bound was finished by January 2018. Only three months! I revised, edited, and released Bound by September. Less than one year.
I'm currently writing a paranormal/urban fantasy trilogy, preparing to rapid release the entire trilogy later this year. I wrote the first book in two and a half months. Then I had a baby and got derailed, understandably. Still, the second book is halfway done. I'm well on my way to taking less than a year to finish THREE entire books. I had a full outline for the first book, a partial outline for the second, and I'm still working out the third. Writing the first book took far less time and went so much easier than writing the second has been, but I've learned my lesson and finally finished plotting the second book.
Psychology is a powerful tool to use in fiction. Even if your characters aren’t human, giving them human traits and struggles will allow your readers to connect with them on a much deeper level. In this blog post I’ll discuss the value of using psychology in your writing, the best way to go about researching, and most importantly, what NOT to do when including mental illness in fiction.
Disclaimer: I’m not an expert. I hold no degrees, wrote no thesis, and have limited life experience with many of the topics I mention here. I have done what any good writer does when confronted with the need to include something in a story that they aren’t familiar with: research.
My interest in using psychology in fiction started when I wrote my first published novel, Woven. Without giving you too many spoilers, one of the characters has a magically-induced form of Dissociative Identity Disorder, known more commonly (but incorrectly) as Multiple Personality Disorder. People with this disorder show dramatic shifts in personality and identity, and every aspect of their being is affected: temperament, dialect, memory, physical ability, intellectual knowledge, and even gender.
Psychologists now believe that DID largely occurs in individuals that were abused as children, and the mind literally splinters, or dissociates, in order to keep from being damaged by living out the memory of the trauma. Re-integration of the personalities allows for the divided individual to acknowledge each split inside them and become one, if they choose, or at very least live more harmoniously. That’s DID in a nutshell. There are a lot of stigmas associated with the illness, plenty of ways to incorrectly portray it, and fortunately for me, plenty of real-life stories to sift through as I wrote this character in my book.
I even found out while writing Woven that a family member was diagnosed with this mental illness. She’s also a writer, and she agreed to read Woven once it was finished. To paraphrase her words, there were parts of the story that were so real they were difficult to read because she identified with the character so completely. In other words, I nailed it. She loved my book, and her response validated all the research and effort I had put into compiling it.
So what does knowing my experience do for you? Let’s start with talking about what adding or deepening the influence of human psychology can do for your story and those that read it.
I wrote my first children's play in high school. It was about a little boy who found a watermelon and imagined it was a dinosaur egg. A nosy neighbor girl insisted it was a 'plain ol' melon' which caused the boy to doubt his sense of imagination. In a final climax, the two fought over the fruit and in the scuffle lost control as it rolled down a hill. The girl gave up on it, but when the boy finally found the cracked rind, he was able to find value in the 'ruined' melon by imagining the dinosaur inside had hatched and he resumed his game to find it.
My theater teacher chose my script to be performed in class. As I watched two actors portray the children, I realized the magic of script writing. The actors enhanced my story by adding vocal inflections, movement, and props. They used my creativity as a point to jump off from and created something all their own.
Now, I'm writing a full length musical. It's a bigger task, but the rewarding memory from high school keeps me chasing the dream. I've been working on this collaborative project for over a year now and I am amazed at how often script writing skills reflect on my career as a novelist. Here are a few reasons why I think you should try writing a stage play.
We're all writers, we're all moms, writing our way through the "brambles" of life and our stories.